Pwnshow Studio
Retained Reports
Alfonso de Gregorio
2019–2022
GAN-generated portraits, trained on the Costică Acsinte glass-plate archive, retained on powered-off electronic-ink displays · 17.4 × 12.75 × 0.07 cm
Part of INV-005 · The Surveillance Cycle
Artist’s statement
Statement, 2022.
In Retained Reports I question the politics of data originated from our private human experiences — which surveillance capitalists gather as free raw material, fashioning them into prediction products, sold in all-revealing behavioural futures markets — and I invite us to imagine alternative socio-economic logics.
I turned surveillance capitalism’s “means of production” against themselves, by training an AI algorithm to hallucinate portraits of imaginary individuals based on an analysis of the public-domain archive of Costică Acsinte, one of Romania’s most prolific early-20th-century photographers.
Many of Acsinte’s fragile glass plates have sustained damage over the years due to heat and moisture. The delicate silver gelatine emulsion has peeled off, and the glass has cracked or splintered. Worn down by time and the elements, the portraits in the Acsinte archive are allegories of the impermanence of human artefacts. Their counterparts in Retained Reports, though, are — like personal data in the hands of the surveillance-industrial complex — permanent artefacts of computational processes, and visual antiphrases. It is very hard for citizens to delete all their data, even when they decide to stop sharing them. I present the resulting series of static portraits as images persistently retained on powered-off electronic-ink screens, chosen in lieu of traditional archival photo paper.
When asymmetries of knowledge between citizens and the surveillance capitalists translate into asymmetries of power, what will be the consequences for democracy? When we lose our private realm, how do we assert our moral autonomy? When predictions of future behaviours are enabled by knowledge and end up with control, what control do we retain over our lives if companies know more about us than we know about ourselves or than we know about them? Or, ultimately, when all our future behaviours are predicted, what does it mean to be human?
Media sample

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Credits
Source archive: the Costică Acsinte photographic archive, public domain.
Produced with the support of the Magenta Foundation (UNSTUCK Photography Grant, 2021).
Selected exhibitions
- CHAOS : CALM, Bangkok Art Biennale, Bangkok, 2022 (Selected)
- COUNTERPARTS — PORTRAITS Hellerau Photography Award, Museum of Science and Technology, Dresden, 2022
- Singapore International Photography Festival, Singapore, 2022
- Helsinki Photo Festival, Helsinki, 2022
- FUTURE(S), Belfast Photo Festival, Belfast, 2021
Selected publications
- The AI Art Magazine, Issue 2, Christoph Grünberger, ed., Hamburg, 2025;
- Hariban Award 2022 catalogue, Benrido, Kyoto, 2022
- PORTRAITS — Hellerau Photography Award, Katalog 2022, Verlag der Kunstagentur Dresden, 2022
Selected awards
- Honourable Mention, Hariban Award, 2022
- First prize, The Magenta Foundation’s UNSTUCK Photography Grant, 2021
- Shortlisted, Spotlight Award, Belfast Photo Festival, 2021
Page last updated: 2026/07/10 · Pwnshow Studio















